24-70mm f2.8 thoughts. For my R6. Been getting by with the RF 24-105 f4 L which is awesome for outdoor daytime shooting. But it's time to bite the bullet and pick up a faster mid-range zoom. The f4 just doesn't cut it for indoor shooting. Need something for moving subjects in poorly lit barns, sheds, shops, etc. This is a Lens REVIEW of the Canon RF 70-200 f4 IS, against Canon’s RF 70-200 f2.8. I took both of these out to photograph Ice Hockey which is one of the hardest things in my opinion to shoot. If a lens can handle ice hockey, it can handle anything. The question is, should you go with the f4 or the 2.8? Includes lens hood. Sony FE 70-200mm F4 G OSS. Tamron 70-180mm f/2.8 Di III VXD. It comes with a lens hood so that you don’t have to buy it separately. These are used to block strong light sources, such as the sun, from the lens to prevent glare and lens flare. Lens hood is reversible. Sony FE 70-200mm F4 G OSS. This isn’t a Nikon only migration. One of my good friends bought a couple of Canon 1DX cameras and ended up swapping out his f/2.8 zooms for the Canon 17-40mm f/4L, 24-105mm f/4L, and a 70-200mm f/4L. I think there’s a reason why we’re starting to see many lens manufacturers making constant f/4 zoom lenses; the need for faster zooms is as My conclusions are pretty much this: - f/2.8 II is surgically sharp. If this is what you are after, read no further because this lens is cock of the walk. Only my 100L was sharper. - f/2.8 II is bulky and expensive. f/2.8, whilst fast, isn't that much faster than f/4, and in low light f/2.8 won't be that much better. Thankfully, then, Canon has at last given us the RF 24-70 f/2.8L – the standard zoom that everyone has been waiting for, along with the wide-angle trinity lens, the Canon RF 15-35mm f/2.8L USM. A 24-70mm f/2.8 is arguably the most important lens in any manufacturer's lineup, if it wishes to be taken seriously by enthusiasts and professionals Độ phóng to của 100mm f/2.8 cũng ăn đứt Canon 24-70mm f/4 L IS USM. Bên trái: macro lens 100mm f/2.8 - bên phải: 24-70mm f/4L. 100mm f/2.8 lên vân mắt rất rõ trong khi 24-70mm f/4 không làm được Bên trái: macro lens 100mm f/2.8 - bên phải: 24-70mm f/4L. 100mm f/2.8 phóng to tốt hơn nhiều A bit more information: The 16-35 f/4L IS design is quite a bit more advanced when compared to the 17-40. Center sharpness will be similar, but the edges, especially when shooting wide open, will be far, far superior. It is more resistant to flare, the IS is solid and it has much better chromatic aberration correction. .

canon 24 70 f4 vs f2 8